PETER HANSON

Story of a Woman (1970)

According to actor Robert Stack, one of the perks Universal employed while persuading him to star in the series The Name of the Game was the opportunity to headline one theatrical feature a year. Hollywood being Hollywood, only one such feature materialized even tough Game ran for three seasons. Given the uninteresting nature of that one feature, however, things […]

Whoever Slew Auntie Roo? (1972)

An attempt at translating a classic fairy tale into a (somewhat) modern horror picture, the US/UK coproduction Whoever Slew Auntie Roo? falls considerably short of its ambitions, thanks in part to flat cinematography that robs the piece of necessary atmosphere but thanks mostly to an embarrassing star turn by Shelley Winters. With her bulging eyes, flailing movements, […]

The Burglars (1971)

Enjoyably vapid French/Italian heist thriller The Burglars features a typically random assortment of international actors, though unlike many similar pictures that flowed from the continent throughout the ’60s and ’70s with off-putting dubbed soundtracks, this one can be enjoyed by American viewers with original English-language dialogue because the producers simultaneously shot scenes in English and French. Combined […]

Solomon King (1974)

Imagine if Rudy Ray Moore possessed the charisma of a DMV clerk and didn’t tell jokes—then you’ve got an idea of what to expect from Solomon King, a vanity project from cinematically incompetent Oakland, California, clothier Sal Watts. A doughy dude with a forgettably affable quality, Watts cast himself as a secret agent-turned-private detective who navigates […]

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